I'm still holding out for goods on my earlier query, the electronic elements of Alan Silvestri's Avengers score.

I opened up this discussion because I personally like what Mark did during that clip. That's my opinion.

I am so happy about the can of worms I've opened here.

I haven't watched that DVD in a while, but doesn't he specify what he is plugging it into? I recall him going on about "how this trick will blow your minds, and half of you will run home to try it yourselves before we are finished." I thought he also mentioned if he was plugging into pitch CV or ex...

Money Mark is one of them.

Exactly the impression I got. (I just didn't want to be the first to voice it.)

Cumulus wrote:

ppg_wavecomputer wrote:

jaypodesta wrote: Money Mark and The Beastie Boys - not ring any bells?

Now that you mention it.

Terrible stuff.

Stephen

Yeah. The Beastie Boys still suck.

I can tell you guys aren't fans of theirs. (I'm not either, but I don't think they "suck.")

For me, it was worth the whole thing just for the interview segments with Herbert Deutsch.

The whole film or just that segment of it?

Thank you both.

Greetings fellow earthlings, (This topic may already have been visited.) For those of you who have seen the Moog documentary from nine years ago, can any of you tell me which input on the back panel of the Minimoog D Money Mark plugged the microphone into to get that crazy pitch trigger effect? Can ...

Aw, my mistake.

Not at 2:20?

Blimey! So many cool synthesizers that they even have an ElectroComp 500 as one of their monosynths! I don't think I've heard a 500 on a recording until this moment!

It sounds like great music, no matter what gear is being used.

Damn straight. I didn't get it until I was twenty-two, and I wonder why I didn't get it sooner. Using a Wurlitzer reminds me of the video for the Chicago song "Will You Still Love Me" where one of their period keyboardists (Bill Champlin) mimed the piano part on a Hammond Organ. It was be awesome if...