yeah i def thought you were talking about this

Filter keytracking is quite simple to understand. When set to 100%, if you play two notes an octave apart, the filter will open up one octave. The result is the harmonics present in the filtered output are the same for any note played. The reason the Moog/MS20 pair didn't work is that Moog uses V/o...

Usually 1 volt per octave, but you can change it to whatever slope you want. Some synths (like my JD-800) allow a negative slope where the lower keys have a greater filter cuf-off and higher keys have lower cut-off. right but i think it might be like 0-1 volt but how does that volt interact/sum wit...

So how would you measure 'keytracking'? As a change in slope? Been trying to wrap my head around this, anyone got a graphic for me or something? On my Rolands it makes the upper keys audible while darkening the lower ones... This is the part that baffles me. Also was trying to 'simulate' Keytracking...

justin_havu wrote:

BritSynths wrote: Roland D-110 - mainly because I just couldn't understand it!

+1, and just like every other Roland piece of gear out their, the manual only made things worse.

U-220

its all preference and it depends wether you wanna use the FX as an insert and get it over with, or use as a return and blend and mix forever... i started on guitars so pedal collection is the original source of my G.A.S. but now a days my first question for a pedal is 'is it stereo?' and besides th...

Been craving D50 sounds lately but dont have the budget so I did the next best thing and replaced the battery on my junker D110 that needed changing when I bought it 5 years ago. But I plug it in to find that it has a hideous noisefloor. HIDEOUS. like -60 to -50 db and the choir patch comes in at -2...

little demo of something i finished for a gig the other night. synths used are listed in the SC info.... enjoy

no power supply and not particularly pristine, but still worth it pricewise if someone's been lookin' ... 290997505049 :roll: really? i feel lucky then. mine was only a third of that (and a drive out into the sticks). actually been seeing some good use lately like 'sand bell' and other fm bell patc...

I was kind of annoyed when I saw the update coming up and that it would cost $100; I just bought Maschine a couple months ago....feels like a bit of a dig. Kind of like the $70+ 'stand'. Are they raising the price for normal Maschine w/update or are new buyers basically getting the upgrade for free...

that new maschine studio unit looks like it murks all 3 of AKAI's new MPC Fly/Rennaisance/Studio/Lite computer supported bullshit....

Em Pe Ge wrote:i'm still using Ableton 7.. so i'm out of luck.

i've seen a few of them in vst format, but a lot are windows only, or the wrong version of osx, ect..

just upgrade (theres prob a cheap upgrade to 8, and then the m4l crossgrade) its worth it. and still prob cheaper than a PG800

what version of ableton live do you have? there is this editor (thats actually meant to be remotely controlled by touchOSC on ipad) for max4live that i use. ive mapped some basic parameters across my edirol controller and it gets the job done. just remember to turn the sysex on in the JX-8P midi Par...

arp solina strings keyboard saw a lot of action by funk/soul/rnb acts in the 70's

Highly recommended. Korg are in a great position to release a 6 or 8 voice polyphonic synth (module or keyboard) after this. It could be a simple architecture, knob per function kind of thing. I'd buy it in a heartbeat even if it only sounded as good as this yoke. Some nice full size knobs would be...