DSP revolution?
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DSP revolution?
The coming Waldorf Blofeld had me thinking; due to the incredibly low price tag - has there been some kind of DSP revolution lately? I mean, a synth with the Blofelds spec would have easily cost at least 3 or 4 times as much only few years back. Indeed it is alot cheaper than for instance Korgs R3, yet it blows it away spec-wise.
Can we expect a whole new era of hardware synths?
Any thoughts?
Can we expect a whole new era of hardware synths?
Any thoughts?
until you actually see one that works I wouldn't bother thinking about it.
It's also worth pointing out that synths, as a consumer product, are designed to fit into price bands. Korg think they can sell it at the price, doesn't really matter whether it cost more or less to make than a blofeld, it's part of a product line which is trying to wrangle every last penny out of the R&D on the Oasys. Korg will sell more R3s than Waldorf will sell any synth because they are Korg.
Personally I can't see much point in having a hardware VA with a limited interface, you may as well use a plugin.
It's also worth pointing out that synths, as a consumer product, are designed to fit into price bands. Korg think they can sell it at the price, doesn't really matter whether it cost more or less to make than a blofeld, it's part of a product line which is trying to wrangle every last penny out of the R&D on the Oasys. Korg will sell more R3s than Waldorf will sell any synth because they are Korg.
Personally I can't see much point in having a hardware VA with a limited interface, you may as well use a plugin.
Q, Pulse, MW1, CS60, MEK,
Good point. But to me, the best VA still sound better than the majority of the plugins-although the margin of that is decreasing....Separate DSP from the host computer can allow for more sophisticated coding=better sound + no host load. A la SCOPE/Virus TI. I think manufacturers should go the DSP route but as a node from the host-like the TI. Its the better middle ground in my mind. Of course Creamware and Digidesign have been doing it for years-just not in external boxes as control surfaces. The Blofeld looks awesome to me. Im not sure if you can send audio down USB straight into the DAW tho...yburn wrote:
Personally I can't see much point in having a hardware VA with a limited interface, you may as well use a plugin.
Also some people do like to use the computer for mixing, and external boxes for sound making-better separation in music making.
That's another thing about the Blofeld; the interface seems awesome. With that big screen I'd much rather tweak the Blofeld than programming parameters on a computer with my mouse. This has actually been a inspiration killer for me.yburn wrote:Personally I can't see much point in having a hardware VA with a limited interface, you may as well use a plugin.
What you say about Korg selling more because of their name, is obviously a fact. However, the big three can't keep on selling synths at a much higher price than a competiton that provides much more powerful products at a substantially lower price.
Re: DSP revolution?
How 'bout this: all the Blofeld code was already available since it's not that different from a Micro Q (and therefore only needs Micro Q quality DSPs, IIRC some older Motorola ones).Hugo76 wrote:The coming Waldorf Blofeld had me thinking; due to the incredibly low price tag - has there been some kind of DSP revolution lately?
"Part of an instrument is what it can do, and part of it is what you do to it" - Suzanne Ciani, 197x.
I can't see much changing soon. It's not all about the quality of the instruments, the smaller manufacturers just can't compete on manufacturing levels/ cost or distribution channels. One lemon and a smaller manufacturer can go under whereas the bigger manufacturers can release synth after synth and always have something new and "exciting" on the market.
As for the interface, having had a microQ, I'd think the interface on the Blofeld would be fine but you'll find many that would want more than 4 rotaries and many that can't stand a matrix. Most midi controllers have twice the number of controls at least.
As far as I know, code is code whether it runs on dedicated DSP chips or a Pentium processor so there is no difference in sound quality. With the speed on modern processors load is becoming a non issue for most applications. I personally still use my powercore for everything but if I had to buy now I might just settle for the sonnox plugins instead and forget about DSP cards. There's also no reason the PowerCore Access Virus code couldn't run on a normal PC.
As for the interface, having had a microQ, I'd think the interface on the Blofeld would be fine but you'll find many that would want more than 4 rotaries and many that can't stand a matrix. Most midi controllers have twice the number of controls at least.
As far as I know, code is code whether it runs on dedicated DSP chips or a Pentium processor so there is no difference in sound quality. With the speed on modern processors load is becoming a non issue for most applications. I personally still use my powercore for everything but if I had to buy now I might just settle for the sonnox plugins instead and forget about DSP cards. There's also no reason the PowerCore Access Virus code couldn't run on a normal PC.
Q, Pulse, MW1, CS60, MEK,
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Except that it would have to be completely rewritten?yburn wrote:There's also no reason the PowerCore Access Virus code couldn't run on a normal PC.

I think it's a good question - there must be developments in DSP design just as there have been with more general purpose processors. And don't forget that the whole point of a DSP is that it has more built-in low level instructions and architectural design characteristics geared towards accelerating signal processing. So it's better at what it does than a CPU of similar size and speed.
The Alesis ION & Micron are an interesting case - they have a dedicated chip for each voice, that's 8 processors (plus 1 for the FX). You'd have to go quite high up the Intel product line to get a CPU capable of doing the DSP functions of 9 dedicated custom designed chips.
perhaps there are lots of new DSP processors, the other stumbling block is developers. Finding someone to code some DSP routines in C++ for VST is a lot easier than trying to find the developers to create wrappers that link to DSP code running on proprietary hardware.
I wish there was an open DSP platform that would run routines that could be compiled form C or something. Open source drive, standardized processors, like a P+P DSP farm.
It's beyond my programming skills to know how this would work.
I wish there was an open DSP platform that would run routines that could be compiled form C or something. Open source drive, standardized processors, like a P+P DSP farm.
It's beyond my programming skills to know how this would work.
Q, Pulse, MW1, CS60, MEK,
Re: DSP revolution?
Well, processors are cheap these days. The 2 Texas Instruments TMS 320 processors in my Radias cost approx. $8 each. I guess the Blofeld can run with one small (cheap) processor.Hugo76 wrote:The coming Waldorf Blofeld had me thinking; due to the incredibly low price tag - has there been some kind of DSP revolution lately? I mean, a synth with the Blofelds spec would have easily cost at least 3 or 4 times as much only few years back. Indeed it is alot cheaper than for instance Korgs R3, yet it blows it away spec-wise.
Can we expect a whole new era of hardware synths?
Any thoughts?
Remember that the Blofeld is MicroQ in a new package, with just a extra features. It was not build from scratch. $400 is good price, it could even cost less.
The Blofeld doesn't "blow away spec-wise" the R3. You're wrong here. The R3 and Radias include a very powerful and aliasing free engine with 4 different synthesis (analog modeling, formant, FM and PCM), 2 continuous multi-mode filters, a vocoder and a complete dual effect processor. "Spec-wise" the Blofeld is a junior compared to the R3 (but it might sound better!).
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Re: DSP revolution?
I'd take an R3 over a Blofeld anyday. Specs? Most people actually don't need a 16 part va or 50 note polyphony. Those specs are just overkill for 95% of users. Add to that the fact that it's just a little box with a few knobs and I can't see why anybody would drop more than $300 on this thing.Hugo76 wrote:Indeed it is alot cheaper than for instance Korgs R3, yet it blows it away spec-wise. Any thoughts?
http://www.sequencer.de/blog/?p=2277
"Blofeld will have all Waldorf MicrowaveXTk, MicrowaveXT Wavetables on board plus those of the Waldorf microQ / Waldorf Q. The first batch of blofelds are ready to sell and will be available very s.o.o.n (in about 1 week). It will come for 399€ over here in europe."
"Blofeld will have all Waldorf MicrowaveXTk, MicrowaveXT Wavetables on board plus those of the Waldorf microQ / Waldorf Q. The first batch of blofelds are ready to sell and will be available very s.o.o.n (in about 1 week). It will come for 399€ over here in europe."
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'altemark wrote:http://www.sequencer.de/blog/?p=2277
"Blofeld will have all Waldorf MicrowaveXTk, MicrowaveXT Wavetables on board plus those of the Waldorf microQ / Waldorf Q.
WHAAAAAA?