Sample & Hold = Boring?

Discussions about anything analog, digital, MIDI, synth technology, techniques, theories and more.
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hyphen nation
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Post by hyphen nation » Thu Mar 06, 2008 4:23 pm

battle the shadows!

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sequence
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Post by sequence » Thu Mar 06, 2008 7:13 pm

One of the strongest and most interesting features of my recently sold Red Square was the S&H circuit--loved to do multiple routings out of that!
twentyfirst century fizMO man

clubbedtodeath
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Post by clubbedtodeath » Thu Mar 06, 2008 9:04 pm

I like sample and hold on my Korg MS20, if only because it allows me to make completely pointless patches like this:

The Thing patch (mp3)

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premieklovn
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Post by premieklovn » Thu Mar 06, 2008 9:18 pm

clubbedtodeath wrote:I like sample and hold on my Korg MS20, if only because it allows me to make completely pointless patches like this:

The Thing patch (mp3)

I must admit, that sounds cool.

chamomileshark
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Post by chamomileshark » Thu Mar 06, 2008 11:43 pm

ooh nice. Something for the begining or end of a track. Or as a bridge.

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MissionBrown
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Post by MissionBrown » Sun Mar 09, 2008 8:37 pm

I'm using S&H to modulate something a little out of the ordinary...
Can't say anything more than that as its for a boutique product under development.

Includes a sequencer, lfo and noise source... and it ain't a synth.

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Shleed
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Post by Shleed » Sun Mar 09, 2008 10:06 pm

I normally use mine to trigger envelopes at random, while doing the usual pitch-changing duties. I use another one for the filter at double speed on top of that, gives an interesting effect.

sleestack
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Post by sleestack » Mon Mar 10, 2008 4:45 am

Analord is full of S&H and done to good effect

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