I believe it matches perfect with my actual SubPhatty....and the idea is to get the whole bundle including the Streichfett, and the Arturia Microbrute & Beatsteps.
How to link them together is still "under constructions" topic....hmmmm

hm! could that be a way to fix the harsh brittleness that i find unpleasant about it? something like a moogerfooger mf-101? because i love the idea of the thing in theory but it just doesn't sound as graceful as i want it to.Bitexion wrote:The Logan sounds like a Streichfett run through a filter with high resonance. Quite interesting difference.
Is there any way an external filter would be able to track the keyboard?ranzee wrote:it definitely needs a filter of some sort, which is probably why waldorf sell that 4 pole product ...
These digital oscillators used in SK and D85 aren't FM. They are based on earlier E-series (50,70), and are weird single-cycle-wave-playing devices. The difference is, that in E50 this required three chips - phase increment table, that converted note numbers to oscillator rate, wave counter, that swept phase accumulator, and actual "Wave Memory" chip, that was Memory and DAC in one - it hasn't stored its samples as numbers, but instead the waveshape was "stored" using on-chip resistor ladder - instead of linear response like in your typical DAC, the resistor values for each step were chosen to make desired waveshape.Push-Pull wrote:Yes, and that's the same 7 voices FM audio engine as in the Electone of those years, the D85 for example.
Not sure, might be worth checking into!grenert wrote:Is there any way an external filter would be able to track the keyboard?ranzee wrote:it definitely needs a filter of some sort, which is probably why waldorf sell that 4 pole product ...
Ok, sorry for my bad understanding of those weird chips. And thank's for your precisions !adamstan wrote:These digital oscillators used in SK and D85 aren't FM. They are based on earlier E-series (50,70), and are weird single-cycle-wave-playing devices. The difference is, that in E50 this required three chips - phase increment table, that converted note numbers to oscillator rate, wave counter, that swept phase accumulator, and actual "Wave Memory" chip, that was Memory and DAC in one - it hasn't stored its samples as numbers, but instead the waveshape was "stored" using on-chip resistor ladder - instead of linear response like in your typical DAC, the resistor values for each step were chosen to make desired waveshape.Push-Pull wrote:Yes, and that's the same 7 voices FM audio engine as in the Electone of those years, the D85 for example.
D85/SK series just crammed it all into single chip with serial control interface.
FM Electones were FS series.