The synth-pr0n thread.

Post by **silikon** » Sat Jul 14, 2012 8:20 pm

Happened to be nerding out today looking here and there, and happened upon this bloke's flickr page; (whom also is a muff resident, and evidently an all-around cracking synth technician) -- so I thought I'd share.

Loads of serious history in these photos.

Post by **phesago** » Sat Jul 14, 2012 9:01 pm

Well that was nice.

Post by **Don T** » Sun Jul 15, 2012 1:59 am

Oh. My. God.

I am not worthy...

A Novachord even...

Post by **rschnier** » Sun Jul 15, 2012 4:50 pm

Very nice; thanks for posting.

MPS · Post by **MPS** » Mon Jul 16, 2012 2:15 am

Here is some extra p**n for you.

http://www.atomicshadow.com/1/post/2012 ... hange.html

Bitexion · Post by **Bitexion** » Mon Jul 16, 2012 11:40 pm

This Modcan system is pretty epic. And sexy. And expensive.

Post by **silikon** » Mon Jul 16, 2012 11:57 pm

MPS wrote:Here is some extra p**n for you.

http://www.atomicshadow.com/1/post/2012 ... hange.html

Dig the h**l out of the mid-century appeal your studio has. The JP8080 looks strangely out of place, however.

Bitexion wrote:

This Modcan system is pretty epic. And sexy. And expensive.

I doubt it can be assumed that Joel is not a synth nerd - regardless of whether you enjoy his output or not. I certainly hope he puts that thing to good use.

Bitexion · Post by **Bitexion** » Tue Jul 17, 2012 12:06 am

He posted his first patch earlier today.

http://instagr.am/p/NJQEJyux5F/

Wonder what it sounds like. WEOOOOOOOOOOOOOOWWWWWWWWW?

mharris80 · Post by **mharris80** » Tue Jul 17, 2012 12:34 am

Bitexion wrote:

This Modcan system is pretty epic. And sexy. And expensive.

That is sick! I really dig Joel's music, personally. Like his attitude, too.

Bitexion · Post by **Bitexion** » Wed Jul 18, 2012 1:27 pm

Another funny DM video. Playing the castlevania theme on all his modular synths via MIDI

Gear p**n for sure.

Post by **silikon** » Thu Jul 26, 2012 7:04 pm

mharris80 · Post by **mharris80** » Thu Jul 26, 2012 10:09 pm

silikon wrote:

Sweet! Thanks for posting those. I wonder if he's relegated the hardware polys to live use only, since I can't see them anywhere in the pics.

Bitexion · Post by **Bitexion** » Thu Jul 26, 2012 11:37 pm

I asked Joel about the polys last time he livestreamed a couple days ago. They're sitting in storage at the moment due to lack of studio space. He used to have the JP-6 in front of the computer, but now there's a new mixing desk there instead.

I hope the ARP2600 and EMS Synthi gets some love too behind all those spangly modulars.
His studio is getting close to the Starship Enterprise Command Deck. And now he's working out plans to take some of that modular gear on the road, instead of just having them sit alone at home when he's out touring.

mharris80 · Post by **mharris80** » Thu Jul 26, 2012 11:47 pm

Bitexion wrote:I asked Joel about the polys last time he livestreamed a couple days ago. They're sitting in storage at the moment due to lack of studio space. He used to have the JP-6 in front of the computer, but now there's a new mixing desk there instead.

I hope the ARP2600 and EMS Synthi gets some love too behind all those spangly modulars.
His studio is getting close to the Starship Enterprise Command Deck. And now he's working out plans to take some of that modular gear on the road, instead of just having them sit alone at home when he's out touring.

How often does he livestream anyway? And what time is he usually on? I've only ever seen the archives of them.

Bitexion · Post by **Bitexion** » Thu Jul 26, 2012 11:48 pm

No regular schedule, just when he feels like it, it seems. Follow @deadmau5 on twitter, he always announces it there.
He takes input via facebook and twitter while streaming. And strangely, my questions always get answered even though he has 1.2 million twitter followers

Sometimes he's in a composing mood and just messes around with synths and ableton until something musical comes out. Other times he's streaming Diablo 3.

If I had gear like that, I'd love to talk about it too, of course.

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