Most interesting bit from that Amazona review: they seem to know that there'll be some bigger version of something... Soon-ish...

Thanks for digging that up mate, the manual doesn't really mention anything (or I was too stupid to find it). That's a sweet bonus. Consulting the manual, I also realized it can do hz/v as well as s-triggers, fixed transpositions (i.e., a variable offset) on the CV out and other CV than pitch (EG, L...

Ned Bouhalassa wrote:arp CV out

That's nice, I wasn't aware of that. Does it also work as a midi-cv converter?

Cheers

Thanks very much mate, highly appreciate it! Yeah the ping percussion track is one of my favorites too so far, together with the very first one that somehow just worked really nicely. :headbang: Love to ping and FM those filters, you can get some great and surprisingly "organic" sounds. And that bea...

For a long time I wanted to see what I can do with a RE201 and MXR 129 Pitch Transposer in a feedback loop via a mixer. So here is the pitchshifting Space Echo! :mrgreen: https://soundcloud.com/contracommunemopinionem/aug-15-pitchshifting-space-echo https://soundcloud.com/contracommunemopinionem/aug...

Pitched up Amen Break snare

That will force you to be creative, a good thing in modular

Mesmerised wrote:"Tonhöhenbeugungshebel"
"Klangfarbenparameterzuordnungstabelle"

That's awesome

That's better

There will be no release if you complete the decay phase. But if you let the key go before the decay has ended, it'll go into release.

if I realtime record a very sloppily played line with a midi sequencer and then quantize it to death and remove all velocity and aftertouch, did it just become a "step sequencer"? No, step and real time are two different types of sequencing. A true real time sequence, has no steps.. You are not pla...

The modular cats are doing all kinds of crazy stuff with video modules

Yeah, that's my point

That doesn't answer the question. A definition of a technology cannot rely solely on the product of that technology, "playing a sequence" is an extreme case of equifinality. Also known as the fallacy of affirming the consequent. For example: if I realtime record a very sloppily played line with a mi...

Indeed... Probably was only thinking of synths with keys and any sequencer.

Where's the line though, what constitutes a "step" sequencer? Being able to input stuff in non-realtime? Being able to access all stages at any time to alter single steps, X0X style?