Electribes
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clubbedtodeath
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technomonster
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Why did everyone leave?technomonster wrote:good to see ya back clubbed to death.
i also left for a while due to 'technomonster bashing' in my case.
had to let everyone cool down![]()
i came back because this is the best forum on the net after a week and a half.
hope eric fusebox eventually comes back and then this forum will be even cooler.
yeah, where's Eric?technomonster wrote:... hope eric fusebox eventually comes back and then this forum will be even cooler.
Akai MPC1000 | Alesis Fusion 8HD + Ion + 2x QS8 | Boss SYB-5 | Edirol PCR-1 | Korg Electribe EMX | Novation X-Station 25 | Roland V-Synth GT + V-Synth + VC1 + VC2 | Yamaha AN200 + DX5 + MK100
- The Final Cut
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- Joined:Wed Sep 29, 2004 3:01 am
- Location:Auto-Wah, Ontario
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:||CHAMBER||:
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i think they are all really cool little boxes. i don't have an explanation for why i haven't bought any of them yet though... although i am still just a little bitter they can't use batteries. when i first read about the A and R prior to release and they were going on about portability I just assumed they could be battery powered, especially since they are so influenced by the 303 & 606... stupid Korg... But after I have some service work done on my car I think I'll still have some play money left and an R is tempting, I'm still kind of undecided on the newer tubular X models though.
Ok, so I have little to no experience with sampling, other than using the built-in software sampler plugin that ships with Sonar 4. So, with that little knowledge, what's the difference between the ESX and an MPC1000?
Akai MPC1000 | Alesis Fusion 8HD + Ion + 2x QS8 | Boss SYB-5 | Edirol PCR-1 | Korg Electribe EMX | Novation X-Station 25 | Roland V-Synth GT + V-Synth + VC1 + VC2 | Yamaha AN200 + DX5 + MK100
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clubbedtodeath
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Never tried the ESX, but own an MPC.
The major differences:
- The MPC1000 is designed to also act as an external sequencer to drive external equipment (the ESX is not). In fact, it excels at this - it has two MIDI ins and two MIDI outs.
- Having a quick look at the ESX-1, it seems to have a better array of effects. This is odd, because the MPC1000 is what I'd consider to be a higher spec machine.
- Sampling memory on the MPC1000 can be increased by buying laptop RAM (dead cheap) to 128Mb. This is a helluva lot of memory; I use the pseudo-multitrack recorder sometimes if I want. 128Mb is enough for pattern-based stuff.
That's about all off the top of my head!
The major differences:
- The MPC1000 is designed to also act as an external sequencer to drive external equipment (the ESX is not). In fact, it excels at this - it has two MIDI ins and two MIDI outs.
- Having a quick look at the ESX-1, it seems to have a better array of effects. This is odd, because the MPC1000 is what I'd consider to be a higher spec machine.
- Sampling memory on the MPC1000 can be increased by buying laptop RAM (dead cheap) to 128Mb. This is a helluva lot of memory; I use the pseudo-multitrack recorder sometimes if I want. 128Mb is enough for pattern-based stuff.
That's about all off the top of my head!
Still, the effect capabilities on both the electribes and the MPC seem very under-specced. When i do drums in software, i usually have one large effect chain per drum sound, and maybe one or two master effects. The MPC does give you the ability to "render" effects to a sample, which is good but still doesn't replace a "live" effect unit in some cases. The electribes don't even have that.
I don't get it really.. Synths in general tend to have fairly bad effect implementations, with the exception of the kurzweils. Maybe it's time to get one of those... or hope that kurzweil makes a drum machine :)
I don't get it really.. Synths in general tend to have fairly bad effect implementations, with the exception of the kurzweils. Maybe it's time to get one of those... or hope that kurzweil makes a drum machine :)
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clubbedtodeath
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It does, but it's implemented clumsily.polardark wrote:Still, the effect capabilities on both the electribes and the MPC seem very under-specced. When i do drums in software, i usually have one large effect chain per drum sound, and maybe one or two master effects. The MPC does give you the ability to "render" effects to a sample, which is good but still doesn't replace a "live" effect unit in some cases. The electribes don't even have that.
As I said, the effects are surprisingly underspecced for what should be a pretty powerful machine - especially when cheap synths such as the Novation KS-4 have 6 simultaneous effects per part (it's 4-part multitimbral). I suspect it was a deliberate ploy on the part of Akai to make sure the remaining MPC2000s were sold off.
Worse than that - the effects are 'note on' which means when a note plays you can't change the effect until the next note plays.
And yet there's surprising things, like the fact that each pad has a seperate filter and envelope, which gives you lots of possibilities. And these can be sequenced. Sadly again, 'note on' only.
I definitely think it's business politics at play. Some of me thinks the MPC1000 was a half-hearted attempt by Akai, as they were slowly coming under the impression that software was going to eat up their market. It didn't occur to them (as became apparent), that people might want something that kept them away from computers: the MPC1000 has been very popular, despite Akai.I don't get it really.. Synths in general tend to have fairly bad effect implementations, with the exception of the kurzweils. Maybe it's time to get one of those... or hope that kurzweil makes a drum machine
As it stands, it's still a very nice piece of kit with some excellent features, and I'm definitely keeping mine.
How do you that? and why would you do that?clubbedtodeath wrote:- The MPC1000 is designed to also act as an external sequencer to drive external equipment (the ESX is not). In fact, it excels at this - it has two MIDI ins and two MIDI outs.
As I said, I have little experience with samplers, but my thoughts are if you load a wav file into a sampler then manupulate and trigger it from the MPC, why would you want to control your synth from the MPC!?! And which note on the synth will be played when triggerring the MPC pads?
Does anyone know if you can upgrade the ESX memory by openning it and just replace the RAM?clubbedtodeath wrote:- Sampling memory on the MPC1000 can be increased by buying laptop RAM (dead cheap) to 128Mb. This is a helluva lot of memory; I use the pseudo-multitrack recorder sometimes if I want. 128Mb is enough for pattern-based stuff.
I have an EMX and it has a few decent effects, plus the tubes are really cool. I'd think the ESX has the same, but I never tried one!clubbedtodeath wrote:- Having a quick look at the ESX-1, it seems to have a better array of effects. This is odd, because the MPC1000 is what I'd consider to be a higher spec machine.
Akai MPC1000 | Alesis Fusion 8HD + Ion + 2x QS8 | Boss SYB-5 | Edirol PCR-1 | Korg Electribe EMX | Novation X-Station 25 | Roland V-Synth GT + V-Synth + VC1 + VC2 | Yamaha AN200 + DX5 + MK100
Interesting. I remember seeing Atmosphere post in another thread about how he uses the EA (I think) as a main effects unit. I wonder if he has any clips we can hear.polardark wrote:Still, the effect capabilities on both the electribes and the MPC seem very under-specced. When i do drums in software, i usually have one large effect chain per drum sound, and maybe one or two master effects. The MPC does give you the ability to "render" effects to a sample, which is good but still doesn't replace a "live" effect unit in some cases. The electribes don't even have that.
You want to control your synths from the MPC cause the MPC is a sequencer. So you plug all your synths into the midi outs, have one keyboard plugged into a midi in and then record your different parts in one at a time, to have them all played back at the same time.DGX305 wrote:How do you that? and why would you do that?clubbedtodeath wrote:- The MPC1000 is designed to also act as an external sequencer to drive external equipment (the ESX is not). In fact, it excels at this - it has two MIDI ins and two MIDI outs.
As I said, I have little experience with samplers, but my thoughts are if you load a wav file into a sampler then manupulate and trigger it from the MPC, why would you want to control your synth from the MPC!?! And which note on the synth will be played when triggerring the MPC pads?
It's a great feature for those of us with big musical ideas but only not enough hands/friends to realise them.
*waits for the "why don't you do it on a computer" comment*





