Posted: Thu Sep 06, 2007 7:45 pm
I've owned each of those instruments at some point, so here are my thoughts on each of them. As Jambo has pointed out - each of them have similar user interfaces with their digital parameter access, which isn't as 'hands-on' or as quick to program.
Poly 800 - a lot of people don't like it, but I found it to be pleasant enough in a cheesy kind of way. 8 voice polyphony, but the best sounds from it use 2 oscillators per voice and reduce the polyphony to just 4.
Synth Mania has posted demos of each of the presets, which will give you an idea of how it can sound:
http://www.synthmania.com/poly-800.htm
Alpha Juno 1 - I really liked this. 6 voices of polyphony. True, it's no Juno 6/60/106, but it does have that lovely Roland analogue chorus, and the bonus of being able to control the amount of it used. I used mine for strings and pads mainly, and found it adequate for basses.
Check out Synth Mania's demos of the MKS-50, the rackmount version of the Alpha Juno:
http://www.synthmania.com/mks-50.htm
Yamaha DX7 - I used to hate the sound of it, but I succumbed to its charms. I really wanted to learn how to understand FM synthesis, but with the sheer volume of great patches that can be download for nothing on the net, there seemed no point. If I find Howard Massey's book, I'll give it another whirl though. A great keyboard action on it too but it weighs a bloody tonne, especially in a flightcase! In the hands of someone who knows what they're doing, the DX7 can sound rather burly and in some cases rather warm indeed. However, if you like your 80's sounds, it does have that EP and thatbass[/i] patch, love it or hate 'em!
Demos of the presets, courtesy of Synth Mania:
http://www.synthmania.com/dx7.htm
Roland JX-8P - Out of the synths you've listed, I'd say this was the pad machine. The 'soundrack' preset on this one is absolutely lovely - very warm. There are enough modulation options to make things interesting, but it's envelopes have been criticised as being too slow for snappy basses, which I would agree with, but it's certainly capable of some beefy low-end.
Check out Synth Mania's MKS-70 (rackmount JX-10), which is is like two JX-8Ps in one synth. The 'soundtrack' preset is demoed.
http://www.synthmania.com/mks-70_super_jx.htm
Of the above synths, I'd go with the JX-8P, as it isn't difficult to get to grips with and will more than satisfy most 80's sounds you could wish for. Next on the list would be the DX7.
Poly 800 - a lot of people don't like it, but I found it to be pleasant enough in a cheesy kind of way. 8 voice polyphony, but the best sounds from it use 2 oscillators per voice and reduce the polyphony to just 4.
Synth Mania has posted demos of each of the presets, which will give you an idea of how it can sound:
http://www.synthmania.com/poly-800.htm
Alpha Juno 1 - I really liked this. 6 voices of polyphony. True, it's no Juno 6/60/106, but it does have that lovely Roland analogue chorus, and the bonus of being able to control the amount of it used. I used mine for strings and pads mainly, and found it adequate for basses.
Check out Synth Mania's demos of the MKS-50, the rackmount version of the Alpha Juno:
http://www.synthmania.com/mks-50.htm
Yamaha DX7 - I used to hate the sound of it, but I succumbed to its charms. I really wanted to learn how to understand FM synthesis, but with the sheer volume of great patches that can be download for nothing on the net, there seemed no point. If I find Howard Massey's book, I'll give it another whirl though. A great keyboard action on it too but it weighs a bloody tonne, especially in a flightcase! In the hands of someone who knows what they're doing, the DX7 can sound rather burly and in some cases rather warm indeed. However, if you like your 80's sounds, it does have that EP and thatbass[/i] patch, love it or hate 'em!
Demos of the presets, courtesy of Synth Mania:
http://www.synthmania.com/dx7.htm
Roland JX-8P - Out of the synths you've listed, I'd say this was the pad machine. The 'soundrack' preset on this one is absolutely lovely - very warm. There are enough modulation options to make things interesting, but it's envelopes have been criticised as being too slow for snappy basses, which I would agree with, but it's certainly capable of some beefy low-end.
Check out Synth Mania's MKS-70 (rackmount JX-10), which is is like two JX-8Ps in one synth. The 'soundtrack' preset is demoed.
http://www.synthmania.com/mks-70_super_jx.htm
Of the above synths, I'd go with the JX-8P, as it isn't difficult to get to grips with and will more than satisfy most 80's sounds you could wish for. Next on the list would be the DX7.