The mothership has landed...GX-1 up for auction
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The mothership has landed...GX-1 up for auction
I just saw this, Peter Forrest and the other guys at Vemia have truly hit the jackpot. It couldn't have happened to a more deserving bunch. Anybody know who this belonged to? It's not Benny Anderssons' dream machine, is it? Could it be the one stuck in outback Australia that you see showing up on ebay once every leap year?
http://www.flickr.com/photos/8429881@N0 ... 0282/show/
RJD2, to answer your doubts from another thread, it does have aftertouch (right?) as well as everything else any synthesist/madman/space traveler would ever need. If you're serious about getting that "Journey Through the Secret Life of Plants" sound, buy it and invite me over for some Jim Beam and a sonic trip to the far reaches of our galaxy.
http://www.flickr.com/photos/8429881@N0 ... 0282/show/
RJD2, to answer your doubts from another thread, it does have aftertouch (right?) as well as everything else any synthesist/madman/space traveler would ever need. If you're serious about getting that "Journey Through the Secret Life of Plants" sound, buy it and invite me over for some Jim Beam and a sonic trip to the far reaches of our galaxy.
Gear: Roland JP-4, Siel DK600, Yamaha CS-80
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sheepmusic
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It was Yamaha Australia's demo one, a guy in Adelaide bought it in a deceased estate and was trying to flog it for US$250,000 for a while, then US$125,000, then he gave up for a while.
Glad to see it's now going for slightly more reasonable amount, although I still wouldn't be interested even if I had the cash.
I know one VSEr has played it.
Glad to see it's now going for slightly more reasonable amount, although I still wouldn't be interested even if I had the cash.
I know one VSEr has played it.
having never played one of these, i dont really understand the appeal.
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Having never bitten into an apple, I don't understand why everybody says they taste so juicy and sweet.......minime123 wrote:having never played one of these, i dont really understand the appeal.
Didn't mean to be sarcastic to you minime. Actually, i'm in total agreement with your attitude here because it applies to me with regard to almost every other expensive vintage synth that gets hyped.
Kurzweil PC3, Yamaha MOX8, Korg Z1, Alesis Ion, Alesis QS8.2, Kawai K3M
gs, you're a sarcastic a*s. just kidding 
ive played a cs80, and didnt really see the appeal of that, so maybe im closer to having good reason to not see the appeal of the gx1.
i dont know, ive never played 1, and few have. so i think most of the desire is based on its rarity and the fact that a few influential albums had one on them. personally, im happy with my other gear. but ive got some pretty nice other gear.
mini
ive played a cs80, and didnt really see the appeal of that, so maybe im closer to having good reason to not see the appeal of the gx1.
mini
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Well, apart from the wondrous and weird sounds it's (at least potentially, depending on the player..) possible to coax from the GX-1, to me some of the appeal is the sheer outrageousness of the whole thing. It's both visually and sonically (I presume, having never played one) sort of out of this world. I mean, it looks like a friggin' spaceship! And, of course the fact that it was produced in so few numbers and used by the upper echelon of popular musicians doesn't hurt its appeal either...
Gear: Roland JP-4, Siel DK600, Yamaha CS-80
thats what i thought, mostly looks and rarity.
VINTAGE SYNTH DEALER
- We Buy Sell Trade Repair Vintage Synths
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- We Buy Sell Trade Repair Vintage Synths
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- Huge Selection, Dependable Service
- https://tonetweakers.com
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Bill Wolfer
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It does sound very very good on most of the recordings it was used on though.
On a side note, I read in an old contemporary keyboard that Keith Emerson had his GX-1 modified with a third oscillator bank 'cause, believe it or not, he thought the sound wasn't thick enough! In the same article Keith says he's had problems with the tuning while recording so his keyboard tech added some sort of auto-tune system to his GX-1 for the upcoming 1977 tour.
Anyhow, here are my favorite GX-1 albums, all done by the brilliant Rick Van Der Linden (RIP):
GX-1 (1977)

Night Of Doom (movie soundtrack, 1978)

Wild Connections (1979)
On a side note, I read in an old contemporary keyboard that Keith Emerson had his GX-1 modified with a third oscillator bank 'cause, believe it or not, he thought the sound wasn't thick enough! In the same article Keith says he's had problems with the tuning while recording so his keyboard tech added some sort of auto-tune system to his GX-1 for the upcoming 1977 tour.
Anyhow, here are my favorite GX-1 albums, all done by the brilliant Rick Van Der Linden (RIP):
GX-1 (1977)

Night Of Doom (movie soundtrack, 1978)
Wild Connections (1979)
"The (Yamaha) CS-80 is a step ahead in keyboard control, and a generation behind in digital control" -- Dan Wyman, Jan 1979
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acmesoundlab
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