I'm just rediscovering this band again. I saw them in 1984 and it was one of the most violent gigs I'v been to - chainsaws, steeldrums and bandaging from previous gigs. But I'd like to know what synths and soundprocessing they used. Just out of curiosity I guess.
Though I'd be interested in how they went about getting their distortion/information overload sound.
What synths/etc did SPK use?
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- tom Cadillac
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What synths/etc did SPK use?
"On the following day , the sorcery undespairingly continued: I changed my series, chose other sequences, cut other lengths, spliced different progressions, and hoped afresh for a miracle in sound." (Stockhausen)
- tim gueguen
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I can see why you asked. Type "SPK equipment" into Google and you get a bunch of hits for a British firm that deals in construction equipment. Anyways, the fact one of the members called himself EMS AKS early on makes me suspect they used EMS synths on the early stuff.
Addenda: This page seems to have the official SPK stamp of approval.
http://www.ping.be/~spk/
And they have a MySpace page.
http://profile.myspace.com/index.cfm?fu ... D=40577889
Addenda: This page seems to have the official SPK stamp of approval.
http://www.ping.be/~spk/
And they have a MySpace page.
http://profile.myspace.com/index.cfm?fu ... D=40577889
Keys: Realistic Concertmate 500, Korg K25, Korg Micro X
Guits: '86 Fender Japan '50s Reissue Strat, '80 Aria Pro II TS-300 Thor Sound
Guits: '86 Fender Japan '50s Reissue Strat, '80 Aria Pro II TS-300 Thor Sound
I remember seeing SPK on The Tube in the early 80's. Mental stuff I was sure someone was going to get hit with that angle grinder.
Graeme Revell did very well for himself..
http://www.graemerevell.com/
Look at all the cool films he has worked on and he actually married SPK's lead singer Sinan Leong.
More info here..
http://en.wikipedia.org/wiki/SPK_(band)
Sometime between 83 and 85 Revell was one of the early customers for the Fairlight CMI. A sampler was a logical step given the amount of improvised kit they were using. This is also a good site for info..
http://home.scarlet.be/~spk/spktrevorblake.htm
Enjoy reading.
Graeme Revell did very well for himself..
http://www.graemerevell.com/
Look at all the cool films he has worked on and he actually married SPK's lead singer Sinan Leong.
More info here..
http://en.wikipedia.org/wiki/SPK_(band)
Sometime between 83 and 85 Revell was one of the early customers for the Fairlight CMI. A sampler was a logical step given the amount of improvised kit they were using. This is also a good site for info..
http://home.scarlet.be/~spk/spktrevorblake.htm
Enjoy reading.
- jaypodesta
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- tom Cadillac
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thanks for the replies guys. I read some of the texts they put out and they,re really fascinating.
Has anyone else named themselves after their synth???
Has anyone else named themselves after their synth???
"On the following day , the sorcery undespairingly continued: I changed my series, chose other sequences, cut other lengths, spliced different progressions, and hoped afresh for a miracle in sound." (Stockhausen)
- tim gueguen
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It's actually the other way around for me. My full name is Richard Emil Garcia III and I abbreviated it to R3 once I started experimenting with music about five years ago. Sure enough, Korg recently released a synth called the R3 and it's been a perfect instrument for the kind of stuff I do (distortion heavy minimalist synth punk).tom Cadillac wrote:thanks for the replies guys. I read some of the texts they put out and they,re really fascinating.
Has anyone else named themselves after their synth???



