ALL synths will eventually become vintage for somebody
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KBD_TRACKER
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ALL synths will eventually become vintage for somebody
I am talking about all the synths commercially available right now. And not only the "stars" (voyager, andromeda, etc.) but also the middle and bottom shelf ones ... microkorg, micron, the new rolands and korgs, etc. because someday (soon enough) they'll stop being made. And then of course at that stage people will start reminiscing ... and going "that machine indeed WAS special, too bad it was not appreciated in those days... ". and then, if some people find a way to tweak it or play it in a new way, and use it in a new emerging style of music, collectors and merchants will do their usual thing: and all of a sudden ... a "vintage" synth is born !
So next time at GC you see a synth, ugly, plasticky and all, overpriced, nasty sounding, limited, with cheap controls .... well in 10-15 years, imagine ... you'll probably find people raving about that very same synth and preaching how it is such special instrument !
even the poor EX800 has its followers and afficionados. ( i should know, i have one...)
So this leads to my main question : except for connotating age, does the term "vintage" truly has any sense ?
So next time at GC you see a synth, ugly, plasticky and all, overpriced, nasty sounding, limited, with cheap controls .... well in 10-15 years, imagine ... you'll probably find people raving about that very same synth and preaching how it is such special instrument !
even the poor EX800 has its followers and afficionados. ( i should know, i have one...)
So this leads to my main question : except for connotating age, does the term "vintage" truly has any sense ?
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Re: ALL synths will eventually become vintage for somebody
So where's the love for the early 90's ROMplers (Emu Proteus series, Kawai K1 & K4, and such)?
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KBD_TRACKER
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Re: ALL synths will eventually become vintage for somebody
well, i am talking about the concept of "vintageness", not necessarily "love". besides many "aknowledged" vintage machines do not seem loved per se. but just appreciated for what they are.Z wrote:So where's the love for the early 90's ROMplers (Emu Proteus series, Kawai K1 & K4, and such)?
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nvbrkr
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Re: ALL synths will eventually become vintage for somebody
As for the "main question". "vintage" connotes desirability as well. Many home organs from the 60s-80s are certainly old, but they're not sought after. As for VSE having granted "vintage" status for a lot of the newer units lately, well, I think it's more of an attempt at neutrality. There's very little reason to call the Moog Voyager a "vintage synth" as of yet, but it still retains its association with the Moog synths of the past due to the similarities in design.
The EX-800 is a Poly-800 in a module format. Regardless of its shortcomings it has a design that would be quite hard to emulate 100% convincingly with today's technology. It also shares many aspects of its design with the bigger Korg polysynths of the era. So in that sense it is "vintage by association", I guess.
Some 00s VAs and ROMplers might become "vintage" one day, but most units are far too similar to each other design-wise to really stand out. I don't see a reason why the as-of-yet-manufactured units couldn't generate similar sounds -- even with 99-100% accuracy -- thus keeping the desirability of the originals rather low.
The EX-800 is a Poly-800 in a module format. Regardless of its shortcomings it has a design that would be quite hard to emulate 100% convincingly with today's technology. It also shares many aspects of its design with the bigger Korg polysynths of the era. So in that sense it is "vintage by association", I guess.
Some 00s VAs and ROMplers might become "vintage" one day, but most units are far too similar to each other design-wise to really stand out. I don't see a reason why the as-of-yet-manufactured units couldn't generate similar sounds -- even with 99-100% accuracy -- thus keeping the desirability of the originals rather low.
- CS_TBL
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Re: ALL synths will eventually become vintage for somebody
If ever, I think Roland only deserves vintageness for 1 (one) sound canvas, not for all the gazillions o' sound canvas based keyboards, arrangers, modules, workstations, midi file players and synths (JV30 e.g.).
Well, maybe not even that.. just no vintage status for any sound canvas, hmmkay? It completely ruined the diversity of the 80's.
Well, maybe not even that.. just no vintage status for any sound canvas, hmmkay? It completely ruined the diversity of the 80's.
"You know I love you, CS, but this is bullshit." (Automatic Gainsay)
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s: VSL/FM8/EWQL/LASS h: DX7/FS1r/VL70/SY77/SN2r/JD800/JD990/XV88/Emu6400/Poly61/Amek35:12:2/genelec1030 r: Violin/AltoSax/TinWhistle c: i7-4770/RAM32GB/SSD
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- th0mas
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Re: ALL synths will eventually become vintage for somebody
I have to say one of the side benefits of the "watching craigslist" hobby is the periodic ads that go up 1 month at a time:nvbrkr wrote:Many home organs from the 60s-80s are certainly old, but they're not sought after.
"RARE VINTAGE ORGAN $2000 PAID $5000"
"VINTAGE ORGAN $1000"
"ORGAN $500"
"ORGAN $100 MUST SELL"
"FREE:ORGAN AT THE CURB"
I feel bad for the people who paid close to the price of a new car for these things, used them for ~2 hours as an instrument at 30 years as a bulky but decorative piece of furniture. But their ads still make me laugh.
Re: ALL synths will eventually become vintage for somebody
Lots of love for the JD series. Kawai, not so much (mostly because it sounds c**p) - and the Proteus was a fixed-structure and perhaps even watered down version of what the E-mu sample libraries already offered, so have a sampler and the library and you'll have something better.Z wrote:So where's the love for the early 90's ROMplers (Emu Proteus series, Kawai K1 & K4, and such)?
See also http://www.synthmania.com/l-cdx-02_keyb ... uments.htm and others - none of that 32kHz "16 megabyte when converted to linear format"-c**p.
"Part of an instrument is what it can do, and part of it is what you do to it" - Suzanne Ciani, 197x.
- Z
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Re: ALL synths will eventually become vintage for somebody
INDEED! The JD-800 is pretty much my main axe. I've got the 990, too.Yoozer wrote:Lots of love for the JD series.Z wrote:So where's the love for the early 90's ROMplers (Emu Proteus series, Kawai K1 & K4, and such)?
What about the D-5/10/20/110 & MT-32?
- pricklyrobot
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Re: ALL synths will eventually become vintage for somebody
Not any objective one, no. It's a just a nonsense word you use to make the c**p you couldn't give away your garage sale sound better on Ebay.KBD_TRACKER wrote:does the term "vintage" truly has have any sense ?
And in this era of desperate anticipation of future nostalgia (behold, the kitsch vortex approaches singularity!), it's going to continue to be used more and mean less.
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- th0mas
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Re: ALL synths will eventually become vintage for somebody
You know, I thought this topic was really dumb until I thought of the yamaha shs-10. Maybe OP is right.
- hfinn
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Re: ALL synths will eventually become vintage for somebody
No. Vintage does not equal value.KBD_TRACKER wrote:So this leads to my main question : except for connotating age, does the term "vintage" truly has any sense ?
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Scories
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Re: ALL synths will eventually become vintage for somebody
[Aside the age factor,] I would be tempted to say that novelty and rarity (uniqueness) must be among the most decisive factors that makes a piece of gear desirable. SidStation and Fizmo are rare & unique sounding synths. That makes them desirable, even if we would not use them that much in our style of music. Yamaha VL-1 is an other example. Future classics.
I also realised that the Korg Z1 and the Microwave XT are very unique synths. And even if they are not currently hard to find in the used market, they will probably become sought-after in the future. That's one of the reasons why I've decided to keep them.
But most high end digital stuff can be outdated soon. Today's novelty is often tomorrow's junk. But with lo-fi gear, the situation can be different. Because they have a specific character that can be hard to reproduce.
For instance, I had a blast playing with a Commodore 64 Cynthcart recently.
I also realised that the Korg Z1 and the Microwave XT are very unique synths. And even if they are not currently hard to find in the used market, they will probably become sought-after in the future. That's one of the reasons why I've decided to keep them.
But most high end digital stuff can be outdated soon. Today's novelty is often tomorrow's junk. But with lo-fi gear, the situation can be different. Because they have a specific character that can be hard to reproduce.
For instance, I had a blast playing with a Commodore 64 Cynthcart recently.
Last edited by Scories on Tue May 04, 2010 5:59 am, edited 2 times in total.
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Re: ALL synths will eventually become vintage for somebody
In someone's eyes this is considered vintage

Nuff said

Nuff said
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- Stab Frenzy
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Re: ALL synths will eventually become vintage for somebody
Vintage = Old, that's all.
Saying a synth is a vintage synth doesn't mean you're saying it's good. I'm surprised that so many people don't know what that word means.
Saying a synth is a vintage synth doesn't mean you're saying it's good. I'm surprised that so many people don't know what that word means.
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Re: ALL synths will eventually become vintage for somebody
Also a fan of the JD-990, a vintage rompler at best.Z wrote:INDEED! The JD-800 is pretty much my main axe. I've got the 990, too.Yoozer wrote:Lots of love for the JD series.
I always like the D-110 as the D-50 complement.Z wrote:What about the D-5/10/20/110 & MT-32?
As Many people are still enjoying old pc games and music, like the Sierra stuffs. The MT-32 and other CM line are already a classic for that purpose. Followed by the SC and Yamaha MU.
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