pricklyrobot wrote:Being unemployed at the moment, I've plenty of time to sit around dreaming up what gear I ought to start wasting my money on once I have an income again.
I know this mental place.
pricklyrobot wrote:Lately I've been looking at the Roland SDE-330, which is supposed to be a 3-D delay effect. Seems like it could be cool, but I haven't had much luck finding any audio samples of it in action. Does anyone here have experience with one of these things? How convincing is the "3-D"? Can you point me to any good audio demos of it? And, are there any other delay units (hardware) that do the 3-D thing?
I own and use a Roland SDE-330 Dimensional Delay (alongside Roland's SDX-330 Dimensional Expander, SRV-330 Dimensional Reverb, RSS-10 Sound Space Processor, and RSS-303 RSS Ambience System).
The Roland SDE-330 Dimensional Delay has 19 on-board algorithms:
- Simple 3D Delay
- Simple Delay
- Stereo 3D Delay
- Stereo Delay
- 8 Tap 3D Delay
- 8 Tap Delay
- Quad 3D Delay
- Quad Delay
- Duck 3D Delay
- Duck Delay
- 4 Pitch Shift 3D Delay
- 4 Pitch Shift Delay
- Reverse 3D Delay
- Reverse Delay
- Mono 3D Non Linear
- Mono Non Linear
- Stereo 3D Non Linear
- Stereo Non Linear
- Precision Delay
Unfortunately, the Parameter Manual which describes these algos is not online yet. That said, it is not a difficult unit to use, and each of these algos is easy enough to explore.
The RSS effect in the SDE, SDX, and SRV is subtle, but it brings something to the sound field that is unique, and to my ear, pleasing. It is not a primary reason to buy these units - they are instead all well-recommended because of their total sonic nature and usability, aside from the RSS 3D processing itself. I own other, higher-end signal processors that do delay, chorus, and reverb, but these units have found a place among my fx gear and they are going nowhere.
It should also be noted that the MIDI control on these units is excellent and easy to set up. Controlling tap pan spread, feedback, and pitch-shift from a mod wheel is expressive and musical.
I don't know of any online demos. I would be happy to create some, but right now my SDE-330 (along with other gear) is in storage because of a relocation.
If you want a 3D unit such that you can create 3D environment reverbs and move sound sources in a 3D space with XYZ motion paths and doppler effects, the Roland RSS-10 Sound Space Processor can do it. That said, it has no front-panel programming and relies on computer apps for legacy OSes to be programmed, i.e., it is a PITA to use in a "current" studio. The other units I mentioned, the SDX, SDE, SRV, and RSS-303, are all programmable from their front panel.
If you like the sound of Roland gear from 1991-1994, e.g., JD-800/990 and S-7xx, or you like the sound of certain "ambient" artists from the same time period, e.g. The Orb, Thomas Fehlmann, Keiichi Suzuki, FFWD, then my guess is you would like the sound of this group of processors.
Another killer dedicated delay to consider that has a sound and function all its own is the Symetrix 606.
Hope that helps.
cheers,
Ian