Korg MS-50: relevance in today's market?
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Korg MS-50: relevance in today's market?
I've been intrigued by these for a while (even more than the MS-20).. Something about the size, the fact it's stand alone, and seems to have a large number of features in such a small package. I like that you are confined to the features it gives you. But I have also wondered how relatively functional they are compared to other semi-modular synths currently on the market, say for example, an MEK... (I know the MEK is way more feature laden, but is also not truly modular like the MS50)...(I also know that another modern modular, for the same price as the MS50 today would also provide way more functionality)
Aside from the quick patching, and ability to interface with other CV gear, is the MS-50 on its own still a strong contender for unique bleeps and bloops? Or is one really paying for the vintage factor more than anything?
Aside from the quick patching, and ability to interface with other CV gear, is the MS-50 on its own still a strong contender for unique bleeps and bloops? Or is one really paying for the vintage factor more than anything?
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Re: Korg MS-50: relevance in today's market?
Well, you're definitely paying a fair amount for the vintage factor. There are modular synths you can buy today for similar or less money that have more features and are more compact. Unless you own other MS gear you also have to deal with the worst of all CV interfacing worlds...V-Hz scaling and negative triggering.Sir Ruff wrote:\is the MS-50 on its own still a strong contender for unique bleeps and bloops? Or is one really paying for the vintage factor more than anything?
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Re: Korg MS-50: relevance in today's market?
Which is probably part of the expense. If you already have an MS-20 (which is also arguably expensive for what it is) and you want to expand its capability it seems only natural to go with an MS-50 and/or MS-10.meatballfulton wrote:Well, you're definitely paying a fair amount for the vintage factor. There are modular synths you can buy today for similar or less money that have more features and are more compact. Unless you own other MS gear you also have to deal with the worst of all CV interfacing worlds...V-Hz scaling and negative triggering.Sir Ruff wrote:\is the MS-50 on its own still a strong contender for unique bleeps and bloops? Or is one really paying for the vintage factor more than anything?
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Re: Korg MS-50: relevance in today's market?
ill also add that the newer modular stuff that i own doest sound anywhere near as good as the vintage modular stuff i own. (im not gonna name any names)
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Re: Korg MS-50: relevance in today's market?
Is that based on sequencing or playing?minime123 wrote:ill also add that the newer modular stuff that i own doest sound anywhere near as good as the vintage modular stuff i own. (im not gonna name any names)
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Re: Korg MS-50: relevance in today's market?
clavier, im talking about overall tone, which is the same regardless of how its triggered. i just dont think the newer modules ive got sound as good as the vintage stuff.
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Re: Korg MS-50: relevance in today's market?
I do love the sound of the MS series (tho I guess you CAN get similar sounding filters now)... I also love compact units.. but ultimately I think the MS50 (like the rest of the MS series), is overpriced for what it is.
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Re: Korg MS-50: relevance in today's market?
Are there any modern brands that you think do sound as good as the vintage stuff?minime123 wrote:clavier, im talking about overall tone, which is the same regardless of how its triggered. i just dont think the newer modules ive got sound as good as the vintage stuff.
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Re: Korg MS-50: relevance in today's market?
i havent used anything that i feel sounds as good as vintage, but i should also add that i havent had too much experience with newer modulars.
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Re: Korg MS-50: relevance in today's market?
I did not mean to say that in a condescending manner. I do, however feel that the use of a sequencer does not very accurately portray a synth's tone or tonal variety. Especially when you are talking modular.minime123 wrote:clavier, im talking about overall tone, which is the same regardless of how its triggered. i just dont think the newer modules ive got sound as good as the vintage stuff.
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Re: Korg MS-50: relevance in today's market?
i didnt detect any condescending tone, but it would be nice if you could explain how theres a difference in TONE when you play live vs when you use a sequencer to trigger. 
"I did not mean to say that in a condescending manner. I do, however feel that the use of a sequencer does not very accurately portray a synth's tone or tonal variety. Especially when you are talking modular."
"I did not mean to say that in a condescending manner. I do, however feel that the use of a sequencer does not very accurately portray a synth's tone or tonal variety. Especially when you are talking modular."
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Re: Korg MS-50: relevance in today's market?
I wasn't talking about about a difference in tone, I was talking about how/how well the tone is portrayed.
My beef with sequencing is that it seems to take away from the nuance.
My beef with sequencing is that it seems to take away from the nuance.
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Re: Korg MS-50: relevance in today's market?
To me that depends on the sequencer. Some can add a LOT of character. Some can add many nuances.Clavier wrote:My beef with sequencing is that it seems to take away from the nuance.




