some examples of the sounds I'm after:
Any advice or guidance would be greatly appreciated


An interesting statement. It's a delay...are you saying you can't hear the repeats or what?czed wrote:the carbon copy's dry/wet mix barely has any effect with this synth compared to guitar
Those are some great recommendations thanks:) I'm loving the Eventide Space. Can't afford these at the moment unfortunately. Have you tried them both?Z wrote:The Strymon BigSky and Eventide Space are 2 great pedals for ambient sounds.
I do use a volume pedal a lot of the time, but I'm still able to get a very wet/modulated sound without the volume pedal if I roll back the tone knob. I keep the modulation on and mix on the wet side. I can get it to sound pretty close to a volume swell when paired with a nice reverb.meatballfulton wrote:An interesting statement. It's a delay...are you saying you can't hear the repeats or what?czed wrote:the carbon copy's dry/wet mix barely has any effect with this synth compared to guitar
Dry/wet should be 50/50 at most if you want to hear the echoes. 100% wet isn't a good idea.
Unless you are using a volume pedal or doing volume knob swells with your guitar, the notes always have a sharp attack which makes the repeats easily audible.
The Microbrute EG times aren't very long, but if you are maxxing out the A, D and R the repeats aren't pronounced, instead, with the feedback (regen) up it's more of a sustaining/droning effect like I hear in those examples you linked.
If I have some time, I'll post an audio example later.

Yes, I own both. Don't ask which is better because they both have their advantages. I have plenty of demos of both pedals on synths and electric grand piano on my YouTube Channel: www.youtube.com/zibbybone - just type in the name of which pedal you want demos of in the search bar on MY page.czed wrote:Those are some great recommendations thanks:) I'm loving the Eventide Space. Can't afford these at the moment unfortunately. Have you tried them both?Z wrote:The Strymon BigSky and Eventide Space are 2 great pedals for ambient sounds.

Turn down the volume of the brute when you're using it with a CC, the reason you're not hearing the repeats very well is because it expects an instrument level input and you're crushing it with a line level signal. Turn it down to the level you'd be giving it from a guitar and you'll hear the repeats.czed wrote:Those are some great recommendations thanks:) I'm loving the Eventide Space. Can't afford these at the moment unfortunately. Have you tried them both?Z wrote:The Strymon BigSky and Eventide Space are 2 great pedals for ambient sounds.
I do use a volume pedal a lot of the time, but I'm still able to get a very wet/modulated sound without the volume pedal if I roll back the tone knob. I keep the modulation on and mix on the wet side. I can get it to sound pretty close to a volume swell when paired with a nice reverb.meatballfulton wrote:An interesting statement. It's a delay...are you saying you can't hear the repeats or what?czed wrote:the carbon copy's dry/wet mix barely has any effect with this synth compared to guitar
Dry/wet should be 50/50 at most if you want to hear the echoes. 100% wet isn't a good idea.
Unless you are using a volume pedal or doing volume knob swells with your guitar, the notes always have a sharp attack which makes the repeats easily audible.
The Microbrute EG times aren't very long, but if you are maxxing out the A, D and R the repeats aren't pronounced, instead, with the feedback (regen) up it's more of a sustaining/droning effect like I hear in those examples you linked.
If I have some time, I'll post an audio example later.
However when I keep it 50/50 with the Brute I can barely hear the repeats. I keep the mix cranked and I can hear some repeats but at much lower volume than I want. The dry signal from the synth is still way too dominant. I've played around with the Supermoon+CC+Microbrute combo so much it seems like the filter or something else with this synth is just too harsh. I'm wondering if there is specific modular gear to help with this. I'm also considering switching out the Microbrute for something digital (sadly) if it will get me closer to these sounds...
Thanks for the quick response guys
Really enjoyed the Matrix 12 through the Eventide Space. Great channel you have there!Z wrote:Yes, I own both. Don't ask which is better because they both have their advantages. I have plenty of demos of both pedals on synths and electric grand piano on my YouTube Channel: http://www.youtube.com/zibbybone - just type in the name of which pedal you want demos of in the search bar on MY page.
Yeah I'm aware that it needs to be at lower volume. I guess the problem is that I can't find a middle ground where the the modulated repeats are loud enough without the dry signal from the synth overpowering them. Not sure if I'm explaining this correctly.Stab Frenzy wrote:Turn down the volume of the brute when you're using it with a CC, the reason you're not hearing the repeats very well is because it expects an instrument level input and you're crushing it with a line level signal. Turn it down to the level you'd be giving it from a guitar and you'll hear the repeats.

Thanks for that demo Z, I really appreciate it =) I think the polyphonic synth and 100% wet reverb from something like the Microverb is what I'm looking for.Z wrote:I know Stabby was suggesting 50/50 mix as opposed to 100% wet, but he is right about making it 50/50 in order to hear the echos distinctly.
I've always used 100% wet for a completely washed out sound. I only listened to the first track and it sound like they're using a polyphonic synth. I make a quick demo with my MicroBrute, a Boss RE-20 Space Echo and an Alesis MicroVerb II. Hope this helps.
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