Here is the first recording when I thought "gee, it would be nice to have 16 track"
I started by recording bass (Korg Poly 61) kick (Solton Programmer 24) and scratch hihat track (Vermona DRM, which was also clock source) on tracks 1-3. Next step was to add snare (by hitting a pad connected to EDD5 analog drum synth) on track 4. Then I flipped the tape over, and recorded reversed snares in bridge on track 5. After that I replaced hihat track with Roland TR626 (triggering it manually from it's built-in pads) and added another snare drum layer, also from 626 on track 6. Then I bounced drums in stereo to tracks 7-8, while overdubbing TR626 crash, cowbell and handclap on top of them.
Keyboard parts were also layered and bounced, and finally they landed on tracks 4-6:
- track 4: B5 bell and B5 PWM strings
- track 5: Poly61 brass and DX7 EP
- track 6: B5 strings and reso pad in bridge (they are variations of the same patch, just with different filter settings)
And finally I recorded voice on tracks 2 and 3.
That makes at least 14 layers, and it would be nice to add some more backing vocals, but there was no room on tape


