Stab Frenzy wrote:It also has a step sequencer
Is that the
Multi Step Modulator? Can you use that to control oscillator pitch like with a standard step sequencer? I couldn't tell from the manual. Also can you assign the sequencer or arpeggiator to specific key zones, and is there a hold/latch feature or do they only run when you have a key pressed?
Stab Frenzy wrote:You might find the V-Synth a bit of a surprise in the sampling stakes, because it doesn't act like a traditional sampler at all.
Actually this sounds like a good thing for me. I like the idea of sampling, but feel like I haven't quite clicked with any of the samplers I've used before. The A-3000 is cool, and I wouldn't say particularly difficult to use, but there are just too many steps between thinking of something you'd like to sample and actually having a playable sound on your hands. It always seems more like a tool and less like an actual instrument, if that makes sense. Plus I'm much more interested in making weird, warped timbres than I am in doing realistic samples, and that sounds like the V-Synth's strength.
tallowwaters wrote:I know this is helping that No Current Occupation GAS
Yes, I continue to live a life of pointless speculation, for the time being. Grrrr:evil:
Hugo76 wrote:the an1x might be a bit punchier and rawer than the V-Synth
I love cranking up the VCA Feedback on the An1X; if I could get some approximation of that sound on the V-Synth I'd be happy. And I've always got my Bitrman to add a layer of unholy grit to anything that needs it.
Thanks all, for the info. Once I have the money, I'll probably pick up the V-Synth first, compare it side-by-side with the An1X and A-3000, then decide who stays and who goes.
Arturia MiniBrute -- bits o' Euro -- Sammich SID -- E-mu MP-7 -- Korg ER-1 -- Thingamagoop